Past Events | Department of Music

Graduate Lecture-Recital: Jane Leggiero, viola da gamba, "After the Golden Age: The Viola da Gamba in Germany in the Late 18th Century"

April 4th 7:30 PM - 9:00 PM

Historical Performance Practice Program
Collegium Musicum and Early Music Singers

April 2nd 4:00 PM - 6:00 PM

��ϳԹ�� Music Concert Series
��ϳԹ�� Senior Recital: A Night of Jazz, featuring Hugh Bessolo, bass

April 1st 8:30 PM - 10:00 PM

��ϳԹ�� Music Concert Series
Music Colloquium Series: Jill Rogers (Indiana University)

March 31st 4:00 PM - 5:30 PM

“Play it Again, Yvonne: Radio Performance as an Embodied Technology of Hope, Love, and Friendship during World War II” (Sponsored by the Music Graduate Student Conference, "Playing the (Heart) Strings: Music, Wellness, and the Body")
Music Graduate Student Conference: "Playing the (Heart) Strings: Music, Wellness, and the Body"

March 31st 12:00 PM - April 1st 6:00 PM

Supported by the ��ϳԹ�� Music Graduate Student Association, Department of Music, and Center for Popular Music Studies
��ϳԹ�� Footlighters: Production of Chicago

March 30th 7:00 PM - April 1st 11:59 PM

A student-led production.
Graduate Lecture-Recital: Anna O'Connell, soprano, “Triple Threat: Women Singing, Dancing, and Self-Accompanying"

March 29th 7:30 PM - 9:00 PM

Historical Performance Practice
Jazz Ensembles and Camerata Chamber Orchestra

March 28th 7:30 PM - 9:00 PM

��ϳԹ�� Music Concert Series
Graduate Recital: Andrew Hatfield, baroque violin, "Sonate, que me veux-tu?! Desperate, Angelic, and Capricious Violin Sonatas of the 17th and 18th Centuries"

March 25th 4:00 PM - 5:30 PM

Historical Performance Practice Program
Art and Design by Aaron D. Williams

Toward a Different Kind of Horizon: A Collaborative Concert featuring Moor Mother, Lonnie Holley, Lee Bains, and Mourning [A] BLKstar

March 24th 7:00 PM - 9:00 PM

The music of Moor Mother, Lonnie Holley, Lee Bains, and Mourning [A] BLKstar encompasses elements of free jazz, hip-hop, gospel, and more. Their poetry, improvisation, and cutting-edge musical production techniques are deployed in the service of embracing plurality, liberation, reparative justice, and joy. Respondent to but not mired in the inequities of the past, this is music to challenge and inspire us all.